Tianova’s Cubist world is one where musicians transcend time and space. Their forms fracture and reassemble like melodies drifting through the air—distorted, reimagined, yet deeply familiar. Each angle becomes a note, each color a chord, weaving together a symphony that can be both seen and felt.
Experiencing music through synesthesia, Tianova transforms sound into color, melody into form. This unique perception allows her to translate music into a visual language, where a palette knife bends reality much like music bends notes—revealing sound through light, movement through shape, and emotion through abstraction.
Her musicians are never static. Emerging from intersecting planes and shifting perspectives, they exist in a constant state of motion, their instruments an extension of their being. Their music is more than sound—it is a visual experience, a dance of fragmented figures and luminous tones, echoing both the improvisation of melody and the boldness of Cubism.
Through this approach, Tianova explores the essence of music beyond the physical. Her musicians are not merely performers; they are the music itself—deconstructed, reassembled, and alive in shifting perspectives. Through the lens of synesthesia, she paints what she hears, transforming rhythm, harmony, and emotion into a world where music is not just heard, but seen and felt.
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